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Producer Stew?

 

Alfred Hitchcock
Alfred Hitchcock directing Family Plot (1975). Photo by Stan Osborne. Wikimedia Commons.

Once anyone decides to write a book, they are confronted with many decisions. Believe it or not, writing a book is easy (you can always get a ghost writer). However, everything else associated with it requires a lot of thought and planning. Why? Because the typical writer has limited resources and there are many ways he or she can spend their money (beyond the actual cost of publishing the book).

The big money its in publishing (and the most mysterious to self-publishing authors) are the distribution and marketing components (they go hand-in-hand). In other words, now that you have boxes of books in your garage (or even just an ePub version), how are you going to sell your book and make any money? Frankly, there are so many avenues an author can go down that it becomes overwhelming. It’s also one of those components of publishing a book where the author must push all their chips onto the table. So it becomes an exercise in determining where the greatest return-on-assets (ROI) will be achieved.

Out of the blue, I was asked by a local public television access channel to produce a 10-episode television series based on the first 4 walking tour books (French Revolution–two volumes, Medieval Paris, and the Nazi Occupation of Paris). At the same time, I’m confronted with doing ePub conversions of the books for Amazon Kindle, Apple’s iBooks, and Barnes & Noble’s Nook. Oh, and then there’s developing an app for the walking tours. What about hiring someone to get the books into the book catalogues that retailers use to purchase books for their shelves? What about the choice of different distribution channels such as big box retailers, small independent book stores, libraries, or even the bookstore at the airports that are gateways to Paris? So what does one choose to do when their stack of chips is only so high? I know what I’m going to do. Read More Producer Stew?

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Gibet de Montfaucon

7 Gibet de Montfaucon (Gibbet/Gallows of Montfaucon)

53, rue de la Grange aux Belles

Métro: Colonel Fabien

Hours: Not applicable—open to the public.

As you step out of the Metro, you should be facing Place du Colonel Fabien. Turn to your left and cross over Ave. Claude Vellefaux (on your left). The next street on your left will be Rue de la Grange aux Belles—turn left. Walk south until you arrive at no. 53 on your right.

You are standing in front of a garage with apartments built on top—exciting, huh? Seven hundred or so years ago, this was a pretty scary site. You never wanted to end up here.

Representation of the Gibet de Mondaucon. Engraving (1863) Author unknown. Public Domain. Wikimedia Commons. This image shows the rear of the gibbet. It is usually represented with a view from the front.
Representation of the Gibet de Mondaucon. Engraving (1863) Author unknown. Public Domain. Wikimedia Commons. This image shows the rear of the gibbet. It is usually represented with a view from the front.

You’re standing in an area that once was part of the countryside outside the medieval walls of Paris. Standing here, you would have had a pretty good view of the city since you’d be standing on a hill (actually, more like a mound). The hill we now call Montmartre would have been visible to you towards the northwest. Around you would have been the leper colony of St. Lazare, the Convent of the Filles-Dieu (a home for prostitutes), and the original Hôpital Saint-Louis (its modern counterpart is located to the southwest). It seems the king didn’t want any undesirable elements within the walls of the city.

One of the kings’ most undesirable icons stood in front of you. It was the Gibet of Montfaucon. Erected around the late 13th century, the gibbet was used until 1629 and finally dismantled in 1760. The structure was used to hang people and to display the bodies of the executed (both local and imported). There are accounts of the executed being displayed here for more than 3 years before they either exonerated or whatever remained of the body was turned over to the family. The gibbet erected on land once owned by Count Falco (Faucon). Since it was a hill or mound (Mont), the gibbet became known as Montfaucon. Its nickname was “Forks of the great justice.” The best description and image comes from a drawing by Eugène Viollet-le-Duc. It was an imposing 3-sided structure: 20 feet high, 46 feet long, and 39 feet wide. There were 45 “compartments” used to either hang or exhibit the victim’s bodies. Read More Gibet de Montfaucon