Tag: Charles de Gaulle

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“Bip The Clown”

I’m sure everyone at some point looks back and remembers attending certain live performances by legendary actors, musicians, comedians, writers or, some other talented person or group. I remember being in Las Vegas with my family in 1972 sitting in the showroom at Caesars Palace for one of Jimmy Durante’s shows. I was also lucky to see one of Andrés Segovia’s last solo performances. How about those of you who were in attendance at Woodstock in August 1969?

One of the most memorable shows I attended was performed in complete silence. Not one word was said, and you could hear a pin drop. In fact, there was only one person on stage for the entire two-hour show and Marcel Marceau never spoke.

Marcel Marceau during a performance. Photo by anonymous (c. 1971). PD-No Copyright Notice. Wikimedia Commons.
Marcel Marceau during a performance. Photo by anonymous (c. 1971). PD-No Copyright Notice. Wikimedia Commons.

Did You Know?

Did you know why women in Singapore (and presumably other Asian countries) keep themselves covered from head to foot in extremely hot and humid weather? Our guide told us they don’t want to get a tan because in their culture, it is preferable to have very pale skin. This got me thinking back to the Elizabethan Age in England. Nobility during that time valued fair and pale skin to the point where some went to the extreme of making sure their skin was white ⏤ really white. They used a poisonous lead based white paint and over time, their skin was eaten away. That called for more make-up and so, a vicious cycle began.

Since we’re talking about the Elizabethan era, did you know that refined sugar was only available to the wealthy back then? One of the results was that people had rotten teeth. Ironically, rotten teeth became a status symbol for the wealthy since it identified them as being rich ⏤ another vicious cycle.

Thank goodness Marcel Marceau had modern make-up which did not contain lead. I’m not sure about his teeth.

Let’s Meet Marcel Marceau

 Marcel Mangel (1923-2007) was born in Strasbourg, France to a Jewish family. His parents, both butchers, came from Poland and the Ukraine. The family was rounded out with Marcel’s older brother, Alain (1921-?). When Marcel was five, his mother took him to see one of Charlie Chaplin’s silent films and that experience influenced his decision as a teenager to become a mime (decades later, Michael Jackson would credit Marcel Marceau for the inspiration behind many of his dance routines including the iconic “moonwalk”). At a very young age, Marcel was entertaining the neighborhood children and Alain always said that Marcel had an insatiable appetite to perform. As part of his education, Marcel learned to speak fluent English and German (in addition to French, his native tongue). The languages and his talent as a mime would save the lives of many children during the German occupation of France. Read More “Bip The Clown”

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Something Must Be Done

I briefly introduced you to Suzanne Spaak in March (The French Anne Frank; click here to read). She and Hélène Berr worked together to save the lives of hundreds of Jewish children. Like most of the résistants during the Occupation, Suzanne and Hélène did what they thought was the right thing to do. As Suzanne told people, “Something must be done.”

Do you ever wonder how rather obscure stories are resurrected from history’s dust bins? In the case of today’s blog, we have Anne Nelson to thank for uncovering the story of Suzanne Spaak’s resistance activities. Anne is the author of Suzanne’s Children (refer to the recommended reading section at the end of this blog for a link to her book). Anne came across Suzanne while researching her excellent book, Red Orchestra (again, refer to the recommended reading section). A haunting photo of Suzanne found in Leopold Trepper’s memoirs piqued Anne’s interest and initiated her nine-year journey. She was able to locate Suzanne’s daughter, Pilette, in Maryland and a series of three dozen interviews spread out over seven years formed the backbone of Anne’s research. There isn’t much out there regarding Suzanne’s story, so we owe many thanks to Anne for finding and “bird-dogging” the facts surrounding Suzanne’s activities. I’m quite sure she went down many rabbit holes while researching and writing the book. I have read both books and I look forward to Anne’s next book.

Suzanne Spaak. Photo by anonymous (date unknown). Read her story at "Something Must Be Done" - Stew Ross Discovers
Suzanne Spaak. Photo by anonymous (date unknown).

Did You Know?

Did you know that the international art world was undergoing new movements during the interwar period (1918 – 1939)? Picasso, Dalí, and Magritte would each create styles of painting that today we call cubist and surrealism, among others. After the Nazis came to power in 1933, Hitler (a frustrated artist in his youth), declared the work of these artists along with dozens more (including many German artists) as degenerate. René Magritte (1898-1967) was a starving Belgium artist whom Claude Spaak befriended while artistic director of the Brussels Palais des Beaux-Arts. Magritte supported himself by designing wallpaper and sheet music. Spaak began suggesting topics and themes for Magritte to paint. Soon, the Spaak family’s walls were covered with surrealistic images, the likes no one had ever seen. By 1936, Claude convinced his friend to paint family portraits. Probably the most disturbing was L’Esprit de Géométrie or, “Spirit of Geometry.” It is a creepy painting of a mother holding an infant. The problem: the head of the mother was Claude’s four-year-old son, Bazou and the infant’s head was Claude’s wife, Suzanne ⏤ Dalí would be proud. In 1937, Claude moved his family to Paris, but Magritte remained in Belgium where he continued to struggle. At one point, Magritte requested stipends from his patrons. Only Suzanne Spaak stepped up to the plate with a monthly stipend in exchange for paintings. The Spaaks would go on to collect forty-four paintings by Magritte. Five days after the Nazis invaded Belgium, Magritte fled to France where he immediately went to the Spaak’s country home. He requested to “borrow back” several paintings hanging on their wall. When Magritte left for Paris, he was carrying with him a dozen paintings. Magritte had been introduced to an American art collector to whom he would sell his “borrowed” paintings. The collector’s name was Peggy Guggenheim and the Spaak family’s paintings would ultimately end up hanging in her museum.

L’Esprit de Géométrie. Gouche on paper by René Magritte (1937). Tate Collection.
L’Esprit de Géométrie. Gouche on paper by René Magritte (1937). Tate Collection.
René Magritte. Photo by anonymous (date unknown).
René Magritte. Photo by anonymous (date unknown).

Let’s Meet Suzanne Spaak

Suzanne Lorge Spaak (1905-1944) or “Suzette” as her family and friends called her, was born into an affluent Belgian family. Her father was a prominent banker and she married Claude Spaak (1904-1990) in 1925. Claude’s family included his brothers Paul-Henri who would become a well-known Belgian politician (Prime Minister and Foreign Minister among other positions) and Charles, a famous movie script writer. Suzanne and Claude had two children: Lucie (“Pilette”) and Paul-Louis (“Bazou”) but life together as husband and wife was not happy. Read More Something Must Be Done