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The Épuration: World War II French Revenge

German General Anton Dostler is tied to a stake before his execution by firing squad. Photo by Blomgren (1 December 1945). National Archives. PD-US Government. Wikimedia Commons.
German General Anton Dostler is tied to a stake before his execution by firing squad. Photo by Blomgren (1 December 1945). National Archives. PD-US Government. Wikimedia Commons.

The German Occupation of Paris and France turned brutal within eighteen months of their soldiers marching down the avenue des Champs-Élysées on the morning of 14 June 1940. Despite the original orders to respect and act as “gentlemen” to the citizens of Paris, the Germans gradually increased the pressure of their jackboot on the throat of France. After the successful Allied invasion of North Africa (Operation Torch) in November 1942, all pretense of an “independent” French government—Vichy—was gone as was the designation of the Occupied- and Unoccupied-Zones.

La Grande Rafle (The Great Roundup) had taken place over two days in July 1942. More than 13,000 Jewish citizens (approximately 4,000 were children) were arrested, detained, and transported to Auschwitz—only several hundred would return less than three years later. Food was scarce except for the privileged few who could afford the black market or those who kept company with German officers. Detention, interrogation, torture, and execution of hostages, résistants, foreign agents, or anyone else the Nazis deemed unworthy became common place as the Gestapo strengthened its position within the Nazi hierarchy and its grip on Paris.

As the Allies moved closer to Paris in the late summer of 1944 after breaking out of Normandy, the Germans began to make arrangements to leave the city. They knew the consequences if they remained. Even some of the German officers tried to convince their lovers to accompany them back to Germany as they predicted harm would likely come to the women if they remained behind. Little did they know the scope of violence that would descend on suspected collaborators. Read More The Épuration: World War II French Revenge

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An African-American in Pre-WWII Paris

Most of us have never experienced blatant discrimination because of the color of our skin. Every country can point to episodes in its past that are regrettable and if possible, its citizens would certainly jump at the chance to turn the clock back and try to undo the damage. For America, I think most of us would agree that slavery was our low point. Even after the Civil War and emancipation, the Jim Crow laws of the south (and let’s not totally exclude the north) prevented African-Americans from exercising their rights. Before the civil rights movement of the 1960s, entertainers such as Sammy Davis Jr., Louis Armstrong, Ella Fitzgerald, and Nat King Cole were not allowed to stay in Las Vegas hotels (in other words, you can perform here—to segregated audiences—but you can’t stay here). Our story today is about an African-American entertainer who moved to Paris during the Jazz Age because her talents were recognized and appreciated by the French. The welcome mat was always out for her to stay at the hotel of her choice. By the end of her life, Josephine Baker was hailed not only as one of the world’s top entertainers but also a World War II French Resistance hero and one of the leaders of the American Civil Rights movement.

Meet Freda Josephine McDonald AKA Josephine Baker

Josephine Baker, singer. Photo by anonymous (c. 1930s). Author’s collection.
Josephine Baker, singer. Photo by anonymous (c. 1930s). Author’s collection.

Josephine Baker (1906–1975) was born into extreme poverty in St. Louis. By the age of eight, her mother began to hire out Josephine as a live-in maid. One of her memories was being abused and punished if she made eye contact with her white employer. Five years later, Josephine was living on the streets and dancing on the street corners to make money (similar to the waifs in Paris—think Edith Piaf—who sang on the street corners in the early 1900s).

Josephine married the first of her four husbands when she was thirteen. At fifteen, she divorced him and married Willie Baker. Although divorcing Willie in 1925, she decided to keep his name as her audiences were beginning to recognize Josephine Baker as a top performer and dancer in the entertainment world.  Read More An African-American in Pre-WWII Paris