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Charles Marville and le Vieux Paris

Paris is famous for its 20th-century photographers such as Brassaï (1899−1984), Henri Cartier-Bresson (1908−2004), and Jacques Henri Lartigue (1894−1986). The city also produced two well-known celebrity photographers: Man Ray (1890−1976) and Felix Nadar (1820−1910) ⏤ Click here to read the blog, First Celebrity Photographer. During the mid-19th-century when photography was in its infancy, a group of photographers were hired by the city’s historic-works department to document Paris through their lenses. Today we are going to reintroduce you to one of those photographers, Charles Marville. While the original 2015 blog (same title) included only one image, we have expanded the story using multiple photographs. I have tried to find locations where a Marville photo can be paired with a contemporary image . . . the “before and after” effect. I like viewing these types of comparisons and thought you might also enjoy it.

Salvador Dali (left) and Man Ray (right). Photo by Carl van Vechten (c. 1934). Library of Congress Prints and Photographs Division PD-Expired copyright. Wikimedia Commons.
Salvador Dali (left) and Man Ray (right). Photo by Carl van Vechten (c. 1934). Library of Congress Prints and Photographs Division PD-Expired copyright. Wikimedia Commons.
Portrait of Brassaï. Photo by Emiel van Moerkerken (c. 1936). Source: Wikiportret.nl. PD-CCA-Share Alike 4.0 International. Wikimedia Commons.
Portrait of Brassaï. Photo by Emiel van Moerkerken (c. 1936). Source: Wikiportret.nl. PD-CCA-Share Alike 4.0 International. Wikimedia Commons.
Portrait of Charles Marville. Photo by Charles Marville (c. 1856). PD-Author’s life plus 70 years or fewer. Wikimedia Commons.
Portrait of Charles Marville. Photo by Charles Marville (c. 1856). PD-Author’s life plus 70 years or fewer. Wikimedia Commons.
Portrait of Sarah Bernhardt. Photo by Nadar (c. 1864). The Getty Center, Object 45995. PD-No known copyright restrictions. Wikimedia Commons.
Portrait of Sarah Bernhardt. Photo by Nadar (c. 1864). The Getty Center, Object 45995. PD-No known copyright restrictions. Wikimedia Commons.

I’m often asked how and why I started writing the walking tour books and subsequently, the blogs. Well, around 2010, I ran across a book by Leonard Pitt called Walks Through Lost Paris (refer to the recommended reading section below). Mr. Pitt takes the reader on four walks through historic Paris and presents pre-Haussmann photographs side-by-side with contemporary shots. The reader can easily see how Paris was transformed in the mid-1800s from a medieval city to the modern city we enjoy today. Sandy and I took Mr. Pitt’s book with us to Paris, and I became determined to write a similar book but based on the French Revolution. My one-book idea blossomed into five published books with three or four more to come.

Mr. Pitt’s book introduced me to several photographers, including Marville, who were hired by the city to visually record Paris before Haussmann began ripping it apart (click here to read the blog, The Destruction of Paris and here to read the The Missing Emperor). These photographs were “discovered” in the 1980s and have been used extensively in books and exhibitions around the world. Sarah Kennel’s book, Charles Marville: Photographer of Paris, was written in conjunction with an exhibition coordinated by the National Gallery of Art in Washington, D.C. (again, refer to the recommended reading section below). It’s a beautiful book and I recommend it to anyone with an interest in historic Paris. From these images and old maps such as the 1550 Plan de Truschet and Hoyau, we are able to get a sense of what medieval Paris looked like. London was able to shed its medieval cloak after 1666 but it took Paris another two hundred years for its transformation.

When we first started going to Paris, I was not much into the “medieval” period. The Musée de Cluny, or musée national du Moyen Âge Paris (National Museum of Middle Ages) was not high on our list of stops. I gained a healthy interest in medieval Europe as I researched the history of Paris for our third and fourth books, Where Did They Burn the Last Grand Master of the Knights Templar (click here to read the blog, Cour des Miracles and here to read Hanging Around Medieval Paris). Even if you’re not into medieval times, I think you’ll find the images in this blog interesting. Read More Charles Marville and le Vieux Paris

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Paris Art Nouveau

Everyone who travels returns home with certain images imbedded in their memories. One of the images of Paris that I have always retained is the decorative entrances to the métro stations. No, not every bulky, uninspired, or “run-of-the-mill” station but rather, those métro entrances that exhibit the iconic flamboyant signage designed in the style of Art Nouveau.

What is “Art Nouveau?” Art Nouveau, or “New Art” was an art movement that began around 1890 and ended in 1910. The movement was international (in England, it was known as “Modern Style”) and exhibited a style inspired by flowers and plants. There is a lot of movement with asymmetrical but sinuous and elegant lines. Materials used included glass, iron, and ceramics. By the end of World War I, Art Nouveau had disappeared and was replaced by Art Deco followed by Modernism.

Balcony created by Hector Guimard for the Musée Fonte d’art Saint-Dizier. Photo by G. Garitan (September 2013). PD-CCA-Share Alike 3.0 Unported. Wikimedia Commons.
Balcony created by Hector Guimard for the Musée Fonte d’art Saint-Dizier. Photo by G. Garitan (September 2013). PD-CCA-Share Alike 3.0 Unported. Wikimedia Commons.

Art Nouveau was influenced by the Arts and Crafts movement (originating in Great Britain) and the first Art Nouveau architecture and interior design appeared in Brussels in 1890. It was quickly adopted by Hector Guimard in Paris. Artists such as Guimard, Alphonse Mucha, Aubrey Beardsley, and Louis Comfort Tiffany were leading proponents of Art Nouveau in architecture, jewelry, posters, graphic arts, and furniture. Mucha rejected the terminology of Art Nouveau. He said, “Art is eternal, it cannot be new.” However, the Paris art world quickly termed Art Nouveau as “le style Mucha,” or Mucha Style.

Detail of the mural at the Pavilion de la Bosnie-Herzégovine during the Paris Exhibition of 1900. Mural painting by Alfonse Mucha (c. 1900). Photo by Jean-Pierre Dalbéra (June 2014). PD-CCA 2.0 Generic. Wikimedia Commons.
Detail of the mural at the Pavilion de la Bosnie-Herzégovine during the Paris Exhibition of 1900. Mural painting by Alfonse Mucha (c. 1900). Photo by Jean-Pierre Dalbéra (June 2014). PD-CCA 2.0 Generic. Wikimedia Commons.
Poster for the premier production of “Gismonda” starring Sarah Bernhardt. Lithograph poster by Alphonse Mucha (c. 1894). Gallica Digital Library – Sakai Collection. PD-Author’s Life + 80 years or fewer. Wikimedia Commons.
Poster for the premier production of “Gismonda” starring Sarah Bernhardt. Lithograph poster by Alphonse Mucha (c. 1894). Gallica Digital Library – Sakai Collection. PD-Author’s Life + 80 years or fewer. Wikimedia Commons.
“The Peacock Skirt” for Oscar Wilde’s play, “Salomé” (1892). Illustration by Aubrey Beardsley (c. 1892). PD-Author’s Life + 100 years or fewer. Wikimedia Commons.
“The Peacock Skirt” for Oscar Wilde’s play, “Salomé” (1892). Illustration by Aubrey Beardsley (c. 1892). PD-Author’s Life + 100 years or fewer. Wikimedia Commons.

Guimard was the first to embrace Art Nouveau in Paris when he agreed to design the first generation of entrances to underground stations of the new Paris métro system at the turn of the century. Read More Paris Art Nouveau