Tag: Napoléon III

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Charles Marville and le Vieux Paris

Paris is famous for its 20th-century photographers such as Brassaï (1899−1984), Henri Cartier-Bresson (1908−2004), and Jacques Henri Lartigue (1894−1986). The city also produced two well-known celebrity photographers: Man Ray (1890−1976) and Felix Nadar (1820−1910) ⏤ Click here to read the blog, First Celebrity Photographer. During the mid-19th-century when photography was in its infancy, a group of photographers were hired by the city’s historic-works department to document Paris through their lenses. Today we are going to reintroduce you to one of those photographers, Charles Marville. While the original 2015 blog (same title) included only one image, we have expanded the story using multiple photographs. I have tried to find locations where a Marville photo can be paired with a contemporary image . . . the “before and after” effect. I like viewing these types of comparisons and thought you might also enjoy it.

Salvador Dali (left) and Man Ray (right). Photo by Carl van Vechten (c. 1934). Library of Congress Prints and Photographs Division PD-Expired copyright. Wikimedia Commons.
Salvador Dali (left) and Man Ray (right). Photo by Carl van Vechten (c. 1934). Library of Congress Prints and Photographs Division PD-Expired copyright. Wikimedia Commons.
Portrait of Brassaï. Photo by Emiel van Moerkerken (c. 1936). Source: Wikiportret.nl. PD-CCA-Share Alike 4.0 International. Wikimedia Commons.
Portrait of Brassaï. Photo by Emiel van Moerkerken (c. 1936). Source: Wikiportret.nl. PD-CCA-Share Alike 4.0 International. Wikimedia Commons.
Portrait of Charles Marville. Photo by Charles Marville (c. 1856). PD-Author’s life plus 70 years or fewer. Wikimedia Commons.
Portrait of Charles Marville. Photo by Charles Marville (c. 1856). PD-Author’s life plus 70 years or fewer. Wikimedia Commons.
Portrait of Sarah Bernhardt. Photo by Nadar (c. 1864). The Getty Center, Object 45995. PD-No known copyright restrictions. Wikimedia Commons.
Portrait of Sarah Bernhardt. Photo by Nadar (c. 1864). The Getty Center, Object 45995. PD-No known copyright restrictions. Wikimedia Commons.

I’m often asked how and why I started writing the walking tour books and subsequently, the blogs. Well, around 2010, I ran across a book by Leonard Pitt called Walks Through Lost Paris (refer to the recommended reading section below). Mr. Pitt takes the reader on four walks through historic Paris and presents pre-Haussmann photographs side-by-side with contemporary shots. The reader can easily see how Paris was transformed in the mid-1800s from a medieval city to the modern city we enjoy today. Sandy and I took Mr. Pitt’s book with us to Paris, and I became determined to write a similar book but based on the French Revolution. My one-book idea blossomed into five published books with three or four more to come.

Mr. Pitt’s book introduced me to several photographers, including Marville, who were hired by the city to visually record Paris before Haussmann began ripping it apart (click here to read the blog, The Destruction of Paris and here to read the The Missing Emperor). These photographs were “discovered” in the 1980s and have been used extensively in books and exhibitions around the world. Sarah Kennel’s book, Charles Marville: Photographer of Paris, was written in conjunction with an exhibition coordinated by the National Gallery of Art in Washington, D.C. (again, refer to the recommended reading section below). It’s a beautiful book and I recommend it to anyone with an interest in historic Paris. From these images and old maps such as the 1550 Plan de Truschet and Hoyau, we are able to get a sense of what medieval Paris looked like. London was able to shed its medieval cloak after 1666 but it took Paris another two hundred years for its transformation.

When we first started going to Paris, I was not much into the “medieval” period. The Musée de Cluny, or musée national du Moyen Âge Paris (National Museum of Middle Ages) was not high on our list of stops. I gained a healthy interest in medieval Europe as I researched the history of Paris for our third and fourth books, Where Did They Burn the Last Grand Master of the Knights Templar (click here to read the blog, Cour des Miracles and here to read Hanging Around Medieval Paris). Even if you’re not into medieval times, I think you’ll find the images in this blog interesting. Read More Charles Marville and le Vieux Paris

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The Grey Ghost

My aunt and three uncles served in World War II. Aunt Marge was a lieutenant and nurse who followed the 6 June 1944 invasion forces into Europe. Uncle Pete was an army sergeant serving in the Pacific Theater while Uncle Bill was the naval commander of a mine sweeping vessel in the Pacific. My mother’s only brother, Hal, enlisted in the U.S. Army Air Force in 1942. He was a young P-47 Thunderbolt fighter pilot in Europe and completed 97 missions. Hal’s missions were primarily over Italy and then Germany. His primary responsibilities included destroying enemy assets such as rail lines, depots, manufacturing, or any target deemed necessary for destruction.

P-47s of the 345th Fighter Squadron, 350th Fighter Group, 12th Air Force. Photo by anonymous (c. 1944). United States Army Air Forces. PD-U.S. government. Wikimedia Commons.
P-47s of the 345th Fighter Squadron, 350th Fighter Group, 12th Air Force. Photo by anonymous (c. 1944). United States Army Air Forces. PD-U.S. government. Wikimedia Commons.

By August 1945, Germany and Japan had surrendered. More than 12.0 million American service men and women spread across 55 theaters of war needed to get home. One of the many vessels used to return them to the United States was the ocean liner, RMS Queen Mary. Stripped of its luxury furnishings and non-essential items, the ship was painted grey in 1939 and used as a transport ship.

Uncle Hal and 810,000 U.S. military personnel returned to America aboard the Queen Mary otherwise known as “The Grey Ghost.”

My aunt and uncles along with millions more like them came home and went on to become known as “The Greatest Generation.”

REVOLUTIONARY PARIS – Volume One & Volume Two

These books are about Paris. They are about the places, buildings, sites, people, and streets that were important parts of the French Revolution. You are about to enter a journey into history beginning in 1789 at the village of Versailles with the procession of the Estates-General and ending on the Place de la Révolution with the execution of Maximilien Robespierre on 28 July 1794. This is your personal walking tour of the French Revolution as it occurred in Paris and Versailles.

Did You Know?

Did you know that an urban model for mixed-use residential, commercial, and parks is being developed? It is called the “15-minute city” and is based on one’s ability to get to the shops and parks within a 15-minute walk from your residence. Scholars at Massachusetts Institute of Technology are researching, quantifying, and measuring the “urban fabric” to see if this model can become a reality. As you may suspect, there are those who enthusiastically support an urban model like this while others bemoan the likely demise of the automobile.

The waterfall at Bois de Boulogne, one of the parks enlarged by Baron Haussmann. Photo by Charles Marville (c. 1858). PD-Author’s life plus 70 years or fewer. Wikimedia Commons.
The waterfall at Bois de Boulogne, one of the parks enlarged by Baron Haussmann. Photo by Charles Marville (c. 1858). PD-Author’s life plus 70 years or fewer. Wikimedia Commons.

For those of you who have traveled in Europe, you are undoubtedly familiar with a city that was transformed in the mid-19th-century into a “15-minute walking city.” It is Paris. Napoléon III’s primary instruction to Baron Haussmann was to ensure every citizen could reach a park within a 15-minute walk. Prior to the seventeen-year “destruction and reconstruction” of the city, only forty-eight acres of parks existed. After 1870, more than 5,000 acres of new or expanded parks and twenty-four new squares were being enjoyed by the Parisians. Napoléon III’s goal of a “15-minute walkable city” had been achieved.

Napoléon III handing over to Baron Haussmann the decree to annex neighboring Paris communes. Painting by Adolphe Yvon (c. 1865). Musée Carnavalet. PD-Author’s life plus 100 years or fewer. Wikimedia Commons.
Napoléon III handing over to Baron Haussmann the decree to annex neighboring Paris communes. Painting by Adolphe Yvon (c. 1865). Musée Carnavalet. PD-Author’s life plus 100 years or fewer. Wikimedia Commons.

So, why spend millions and millions of dollars on studies when we can see and experience a contemporary example of the “15-minute city”? It does work.

Our next blog will be an expanded reprint of Charles Marville and le Vieux Paris.

(Click here to read The Missing Emperor and here to read Paris Digs.)

Operation Magic Carpet 

By mid-1943, Gen. George C. Marshall (1880−1959), Army Chief of Staff, and others were sufficiently convinced Germany would ultimately be defeated. The general, a World War I veteran, was determined to avoid a similar demobilization debacle the army experienced in 1918-1919. However, twenty-five years later, he was faced with the same logistic issues but on a larger scale: how to get millions of service personnel back to the United States in a timely, orderly, and fair manner. He really couldn’t bring the men and women home until both Germany and Japan had surrendered. So, in July 1943, Gen. Marshall tasked the War Shipping Administration (WSA) to come up a plan for demobilization addressing which soldiers would remain in Germany, which soldiers would be sent to Japan to fight and finally, who would be the lucky ones to go home. The WSA was responsible for developing and coordinating the plan called “Operation Magic Carpet.” Read More The Grey Ghost