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Paris Art Nouveau

Everyone who travels returns home with certain images imbedded in their memories. One of the images of Paris that I have always retained is the decorative entrances to the métro stations. No, not every bulky, uninspired, or “run-of-the-mill” station but rather, those métro entrances that exhibit the iconic flamboyant signage designed in the style of Art Nouveau.

What is “Art Nouveau?” Art Nouveau, or “New Art” was an art movement that began around 1890 and ended in 1910. The movement was international (in England, it was known as “Modern Style”) and exhibited a style inspired by flowers and plants. There is a lot of movement with asymmetrical but sinuous and elegant lines. Materials used included glass, iron, and ceramics. By the end of World War I, Art Nouveau had disappeared and was replaced by Art Deco followed by Modernism.

Balcony created by Hector Guimard for the Musée Fonte d’art Saint-Dizier. Photo by G. Garitan (September 2013). PD-CCA-Share Alike 3.0 Unported. Wikimedia Commons.
Balcony created by Hector Guimard for the Musée Fonte d’art Saint-Dizier. Photo by G. Garitan (September 2013). PD-CCA-Share Alike 3.0 Unported. Wikimedia Commons.

Art Nouveau was influenced by the Arts and Crafts movement (originating in Great Britain) and the first Art Nouveau architecture and interior design appeared in Brussels in 1890. It was quickly adopted by Hector Guimard in Paris. Artists such as Guimard, Alphonse Mucha, Aubrey Beardsley, and Louis Comfort Tiffany were leading proponents of Art Nouveau in architecture, jewelry, posters, graphic arts, and furniture. Mucha rejected the terminology of Art Nouveau. He said, “Art is eternal, it cannot be new.” However, the Paris art world quickly termed Art Nouveau as “le style Mucha,” or Mucha Style.

Detail of the mural at the Pavilion de la Bosnie-Herzégovine during the Paris Exhibition of 1900. Mural painting by Alfonse Mucha (c. 1900). Photo by Jean-Pierre Dalbéra (June 2014). PD-CCA 2.0 Generic. Wikimedia Commons.
Detail of the mural at the Pavilion de la Bosnie-Herzégovine during the Paris Exhibition of 1900. Mural painting by Alfonse Mucha (c. 1900). Photo by Jean-Pierre Dalbéra (June 2014). PD-CCA 2.0 Generic. Wikimedia Commons.
Poster for the premier production of “Gismonda” starring Sarah Bernhardt. Lithograph poster by Alphonse Mucha (c. 1894). Gallica Digital Library – Sakai Collection. PD-Author’s Life + 80 years or fewer. Wikimedia Commons.
Poster for the premier production of “Gismonda” starring Sarah Bernhardt. Lithograph poster by Alphonse Mucha (c. 1894). Gallica Digital Library – Sakai Collection. PD-Author’s Life + 80 years or fewer. Wikimedia Commons.
“The Peacock Skirt” for Oscar Wilde’s play, “Salomé” (1892). Illustration by Aubrey Beardsley (c. 1892). PD-Author’s Life + 100 years or fewer. Wikimedia Commons.
“The Peacock Skirt” for Oscar Wilde’s play, “Salomé” (1892). Illustration by Aubrey Beardsley (c. 1892). PD-Author’s Life + 100 years or fewer. Wikimedia Commons.

Guimard was the first to embrace Art Nouveau in Paris when he agreed to design the first generation of entrances to underground stations of the new Paris métro system at the turn of the century. Read More Paris Art Nouveau

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Statuemania

“So, you read the title of this blog and automatically assumed I was going to share my opinion with you concerning recent events around our country. You were interested to know what I thought about the desire and the movements to destroy or relocate certain statues, paintings, or other memorials that certain people might find offensive.

No, I wanted to talk with you today about the deliberate destruction of approximately 1,750 bronze statues throughout France during the German Occupation of World War II. Not since the French Revolution had so many statues been destroyed (albeit for different reasons).”

These were the first two paragraphs to my blog, Statuemania, we published on 2 September 2017 ⏤ almost three years ago. Frankly, I had forgotten about the reason why I first wrote the blog or the first paragraph; which now takes me back to the events that inspired me to write the original blog.

Pedestal without a statue, Parc des Buttes-Chaumont, Paris. Photo by Coyau (May 2011). PD-GNU Free Documentation License v.1.2. Wikimedia Commons.
Pedestal without a statue, Parc des Buttes-Chaumont, Paris. Photo by Coyau (May 2011). PD-GNU Free Documentation License v.1.2. Wikimedia Commons.

I guess my reason to re-post the blog is pretty much the same reason I gave three years ago. While I don’t necessarily oppose certain statues, busts, or flags being taken down or done away with (e.g., statues or busts of Confederate General Nathan Bedford Forrest, the flag he represented, and the Washington Redskins name), I do think we go overboard sometimes. Shouldn’t we step back and determine if we can turn something negative into a positive? I’m speaking about the lost opportunities to help educate, raise awareness, and try to make sure certain events or thought processes never happen again. I think it’s a better and more positive approach than pure destruction. Hate confronting hate doesn’t solve problems. Read More Statuemania