Tag: Père Lachaise Cemetery

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“Sex Toy and Other Père Lachaise Neighbors”

Did you find this blog in your computer junk file? I have a feeling today’s blog might end up there because of the title. But don’t worry, it’s not what you might think. So, I hope everyone took my advice from our last blog and checked their junk file.

Today, we are going to visit with some occupants of Paris’s best-known cemetery: Père Lachaise. We’ll start with Delphine Palatsi and then introduce you to some of the inhabitants, who like Delphine, you’ve likely never heard of. However, I guarantee you that they all had very interesting lives.

Most of the books written about Père Lachaise contain very famous and well-known celebrities such as Oscar Wilde, Edith Piaf, Colette, and naturally, Jim Morrison. However, I want to be different so, my future book, Where Did They Bury Jim Morrison? A Walking Tour of Curious Paris Cemeteries will take you around and introduce you to people who have disappeared into the black hole of history. The common thread is that all of them led interesting lives and in one way or another, were historically significant in their day ⏤ some even left legacies we appreciate today. You’ll visit Baron Haussmann, Jane Avril, Ferdinand de Lesseps, and Guy Môquet as well as some occupants (e.g., Rin Tin Tin ⏤ the dog, remember?) of other curious Paris cemeteries.

In the meantime, let me give you a sneak preview and introduce you to Sex Toy and some of her Père Lachaise neighbors including the most erotic effigy in the cemetery (or any other cemetery for that matter).

Did You Know?

Did you know that when all of us  are gone, our children are not going to want most of the “stuff” we’ve accumulated over our lifetime? Their generation has no desire to hold onto great grandma’s set of china plates or grandma’s complete set of silverware (and I mean real silver, not the silver-plated stuff). Your stamp collection? You might as well start to learn how to become a seller on eBay. None of this stuff has any meaning or significance to them.

However, many of us have kept lots of paper. This is paper which documents parts of our lives as well as the people in our lives. A personal example I can use is the two-and-a-half-inch stack of Aerogramme Luchtpostblad (a sheet of light paper folded and sealed to form a letter for sending by airmail) which my father gave me years ago. These are letters my mother wrote to my grandparents when we were living in Holland during the mid-1960s. It seems my grandmother kept every letter and before she passed away, gave the stack of letters to Mom. The letters pretty much document most of our years living in Holland and highlight events I had forgotten about or rekindle an untold story to an event that I do remember.Air Mail Letter I’m not too sure if our children want these letters but if they don’t, I’m going to brainwash our grandchildren into believing they need them. Better yet, I’ll make it a condition of taking the letters (and the silverware) if they want to get their grubby little hands on our art collection (just kidding kids ⏤ well, sort of).

Let’s Meet Delphine Palatsi – Division 28

Let’s stop by and pay our respects to Sex Toy. Yes, she went by this name ⏤ she might have had it legally changed because it’s on her grave. Delphine Palatsi (1968-2002) was a groundbreaking Parisian DJ specializing in electronic or techno music. I’m not too sure what the technical or street names are for this type of music. You see, like the song says, “I like that old time rock n’roll.” Read More “Sex Toy and Other Père Lachaise Neighbors”

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“Bip The Clown”

I’m sure everyone at some point looks back and remembers attending certain live performances by legendary actors, musicians, comedians, writers or, some other talented person or group. I remember being in Las Vegas with my family in 1972 sitting in the showroom at Caesars Palace for one of Jimmy Durante’s shows. I was also lucky to see one of Andrés Segovia’s last solo performances. How about those of you who were in attendance at Woodstock in August 1969?

One of the most memorable shows I attended was performed in complete silence. Not one word was said, and you could hear a pin drop. In fact, there was only one person on stage for the entire two-hour show and Marcel Marceau never spoke.

Marcel Marceau during a performance. Photo by anonymous (c. 1971). PD-No Copyright Notice. Wikimedia Commons.
Marcel Marceau during a performance. Photo by anonymous (c. 1971). PD-No Copyright Notice. Wikimedia Commons.

Did You Know?

Did you know why women in Singapore (and presumably other Asian countries) keep themselves covered from head to foot in extremely hot and humid weather? Our guide told us they don’t want to get a tan because in their culture, it is preferable to have very pale skin. This got me thinking back to the Elizabethan Age in England. Nobility during that time valued fair and pale skin to the point where some went to the extreme of making sure their skin was white ⏤ really white. They used a poisonous lead based white paint and over time, their skin was eaten away. That called for more make-up and so, a vicious cycle began.

Since we’re talking about the Elizabethan era, did you know that refined sugar was only available to the wealthy back then? One of the results was that people had rotten teeth. Ironically, rotten teeth became a status symbol for the wealthy since it identified them as being rich ⏤ another vicious cycle.

Thank goodness Marcel Marceau had modern make-up which did not contain lead. I’m not sure about his teeth.

Let’s Meet Marcel Marceau

 Marcel Mangel (1923-2007) was born in Strasbourg, France to a Jewish family. His parents, both butchers, came from Poland and the Ukraine. The family was rounded out with Marcel’s older brother, Alain (1921-?). When Marcel was five, his mother took him to see one of Charlie Chaplin’s silent films and that experience influenced his decision as a teenager to become a mime (decades later, Michael Jackson would credit Marcel Marceau for the inspiration behind many of his dance routines including the iconic “moonwalk”). At a very young age, Marcel was entertaining the neighborhood children and Alain always said that Marcel had an insatiable appetite to perform. As part of his education, Marcel learned to speak fluent English and German (in addition to French, his native tongue). The languages and his talent as a mime would save the lives of many children during the German occupation of France. Read More “Bip The Clown”