Tag: Red Orchestra

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Something Must Be Done

I briefly introduced you to Suzanne Spaak in March (The French Anne Frank; click here to read). She and Hélène Berr worked together to save the lives of hundreds of Jewish children. Like most of the résistants during the Occupation, Suzanne and Hélène did what they thought was the right thing to do. As Suzanne told people, “Something must be done.”

Do you ever wonder how rather obscure stories are resurrected from history’s dust bins? In the case of today’s blog, we have Anne Nelson to thank for uncovering the story of Suzanne Spaak’s resistance activities. Anne is the author of Suzanne’s Children (refer to the recommended reading section at the end of this blog for a link to her book). Anne came across Suzanne while researching her excellent book, Red Orchestra (again, refer to the recommended reading section). A haunting photo of Suzanne found in Leopold Trepper’s memoirs piqued Anne’s interest and initiated her nine-year journey. She was able to locate Suzanne’s daughter, Pilette, in Maryland and a series of three dozen interviews spread out over seven years formed the backbone of Anne’s research. There isn’t much out there regarding Suzanne’s story, so we owe many thanks to Anne for finding and “bird-dogging” the facts surrounding Suzanne’s activities. I’m quite sure she went down many rabbit holes while researching and writing the book. I have read both books and I look forward to Anne’s next book.

Suzanne Spaak. Photo by anonymous (date unknown). Read her story at "Something Must Be Done" - Stew Ross Discovers
Suzanne Spaak. Photo by anonymous (date unknown).

Did You Know?

Did you know that the international art world was undergoing new movements during the interwar period (1918 – 1939)? Picasso, Dalí, and Magritte would each create styles of painting that today we call cubist and surrealism, among others. After the Nazis came to power in 1933, Hitler (a frustrated artist in his youth), declared the work of these artists along with dozens more (including many German artists) as degenerate. René Magritte (1898-1967) was a starving Belgium artist whom Claude Spaak befriended while artistic director of the Brussels Palais des Beaux-Arts. Magritte supported himself by designing wallpaper and sheet music. Spaak began suggesting topics and themes for Magritte to paint. Soon, the Spaak family’s walls were covered with surrealistic images, the likes no one had ever seen. By 1936, Claude convinced his friend to paint family portraits. Probably the most disturbing was L’Esprit de Géométrie or, “Spirit of Geometry.” It is a creepy painting of a mother holding an infant. The problem: the head of the mother was Claude’s four-year-old son, Bazou and the infant’s head was Claude’s wife, Suzanne ⏤ Dalí would be proud. In 1937, Claude moved his family to Paris, but Magritte remained in Belgium where he continued to struggle. At one point, Magritte requested stipends from his patrons. Only Suzanne Spaak stepped up to the plate with a monthly stipend in exchange for paintings. The Spaaks would go on to collect forty-four paintings by Magritte. Five days after the Nazis invaded Belgium, Magritte fled to France where he immediately went to the Spaak’s country home. He requested to “borrow back” several paintings hanging on their wall. When Magritte left for Paris, he was carrying with him a dozen paintings. Magritte had been introduced to an American art collector to whom he would sell his “borrowed” paintings. The collector’s name was Peggy Guggenheim and the Spaak family’s paintings would ultimately end up hanging in her museum.

L’Esprit de Géométrie. Gouche on paper by René Magritte (1937). Tate Collection.
L’Esprit de Géométrie. Gouche on paper by René Magritte (1937). Tate Collection.
René Magritte. Photo by anonymous (date unknown).
René Magritte. Photo by anonymous (date unknown).

Let’s Meet Suzanne Spaak

Suzanne Lorge Spaak (1905-1944) or “Suzette” as her family and friends called her, was born into an affluent Belgian family. Her father was a prominent banker and she married Claude Spaak (1904-1990) in 1925. Claude’s family included his brothers Paul-Henri who would become a well-known Belgian politician (Prime Minister and Foreign Minister among other positions) and Charles, a famous movie script writer. Suzanne and Claude had two children: Lucie (“Pilette”) and Paul-Louis (“Bazou”) but life together as husband and wife was not happy. Read More Something Must Be Done

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Die Rote Kapelle

Historically, people have reacted in three primary ways to totalitarian and fascist regimes such as Hitler and his Nazi party: they support it, they oppose it but do nothing or, they oppose it and become a resistance fighter (in small or large ways).

We normally associate resistance to the Nazi regime as something that occurred in the occupied countries. As we saw in our last blog (Hitler’s Blood Judge, click here to read), there were organized resistance movements, albeit limited, within Germany (e.g., The White Rose Movement). Unfortunately, the Gestapo and other police units were able to effectively shut them down and turn the “traitors” over to the show-trials presided by judges such as Roland Freisler.

However, there were several well-known German resistance organizations which operated not only in Germany but in several of the occupied countries and one neutral country. As we’ll see, several of them were quite successful during the limited time they had. Because it was assumed the resistance groups reported to Moscow, the Gestapo gave them the collective name of Die Rote Kapelle or, The Red Orchestra.

Did You Know?

Another organization the Gestapo and the S.D. or, Sicherheitsdienst (the SS intelligence service) targeted was Die Swartz Kapelle or, The Black Orchestra. Led by General Ludwig Beck, the Black Orchestra was a loosely organized network of high-ranking German Wehrmacht and Abwehr officers. During the mid-1930s, they believed Hitler was rushing to war before Germany was adequately prepared. Their initial opposition was not based on replacing Hitler, rather trying to convince him to wait until the country was ready to wage a successful war.

However, by the late 1930s and in particular, after the Munich Agreement, the clandestine military opposition changed to a goal of overthrowing Hitler. During 1938 and 1939, numerous plans to assassinate Hitler were drawn up including the failed attempt to detonate a bomb on Hitler’s airplane. By spring 1940, Hitler’s successful strategies enhanced his reputation with the Germans and the conspirators began to dissipate because they felt the general public would not support a regime change.

However, by the summer of 1943, Operation Barbarossa (the invasion of the Soviet Union) had failed and Hitler didn’t look like the genius everyone thought he was only four years earlier. At that point, questions were beginning to be asked about Germany’s ability to win the overall war. The conspiracy to overthrow Hitler was revived albeit with less participation than before. By this time, the Gestapo and the S.D. had caught onto the discontent at the top of the military chain. One of the leaders of the Black Orchestra was Admiral Wilhelm Canaris, head of the Abwehr—the German intelligence organization which reported up through the high command of the Wehrmacht (as opposed to the competing intelligence agency, the S.D. which reported to Heinrich Himmler). Other members of the Black Orchestra or at least willing participants, included the German ambassador to Rome, the mayor of Leipzig, most of Canaris’s staff, Field Marshall Erwin Rommel, General Ludwig Beck, Colonel Claus von Stauffenberg, General Carl-Heinrich von Stüpnagel (the German Military Governor of Paris), and other high-ranking officials. There were enough well-placed officers to support Colonel von Stauffenberg’s plot to kill Hitler on 20 July 1944.

Operation Valkyrie failed and the Gestapo had no trouble rounding up the Black Orchestra conspirators (and their families). Gestapo records indicated more than 7,000 people were executed as part of their role in the conspiracy. General Beck attempted suicide but only wounded himself—a soldier was sent into the room to finish off the job. The Black Orchestra ceased to exist at that point.

Die Rote Kapelle

East German (DDR) stamp honoring the leaders of Die Rote Kapelle. Arvid Harnack on the left, Harro Schulze-Boysen in the center, and John Sieg to the right. Photo by Radzuweit (2007). Stamp design by unknown (1983). Wikimedia Commons.
East German (DDR) stamp honoring the leaders of Die Rote Kapelle. Arvid Harnack on the left, Harro Schulze-Boysen in the center, and John Sieg to the right. Photo by Radzuweit (2007). Stamp design by unknown (1983). Wikimedia Commons.

The Red Orchestra received its name because the Nazis considered these resistance groups to be run by Communists and the Soviet Union. Red Orchestra was an all-inclusive term used for three separate groups: the Lucy spy ring, the Trepper Group, and the Schulze-Boysen/Harnack Group. Members of these groups were predominately intellectuals who either were Communists or who leaned towards Communism. Resistance within Germany by the intellectual community was divided into three categories: “Inner Emigration” was the term given to the intellectuals who left the big cities and moved to a rural setting to wait out the war. The next step was Resistenzor, the daily act of resisting by noncompliance with certain expected behaviors. These might include refusing to give the Nazi salute or not contributing to fund-raising efforts for the war. The last and most dangerous act of overt resistance was called Widerstand or, “taking a stand against” the Nazi regime. The Red Orchestra was committed to Widerstand and each member knew the consequences if caught. Read More Die Rote Kapelle