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The Petticoat Panel

Anyone familiar with Allied clandestine operations during World War II (e.g., British-led Special Operations Executive – SOE, Gen. de Gaulle’s Bureau Central de Renseignements et d’Action – BCRA, and America’s Office of Strategic Services – OSS) is aware of two things: first, women were used as undercover agents operating behind enemy lines and many of them were very successful. (Alas, too many female agents were executed by the Germans or killed in the line of duty.) Second, after the war, these women were either abandoned by their agencies or forced to work in pre-war job assignments (e.g., secretarial). Many of the former female field agents’ male bosses felt threatened, especially when the man had no field experience. Those attitudes held back many talented women who believed (and rightfully so) they had not only proved themselves but could contribute even more to a post-war world.

CIA clerks and typists. Photo by anonymous (c. 1952). CIA Archives.
CIA clerks and typists. Photo by anonymous (c. 1952). CIA Archives.

It was a “man’s world” back in those days and this was especially true in the world of espionage. Six years after the formation of the Central Intelligence Agency (CIA), a group of women had a meeting with the agency’s new director, Allen Dulles (1893−1969), for the purpose of determining his attitude toward roles of women working for the CIA. During the meeting, they asked the director three pointed questions. (Soon after, a senior CIA manager called these women, the “Wise Gals.”) The outcome of this meeting was the formation of a thirteen-member panel to study the issues raised earlier. This group of women became known as the “Petticoat Panel.” Read More The Petticoat Panel

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KZ Illustrators: Haunted Art

For those of you who have read my books, you know the featured walks and stories are heavily dependent on images. The same goes for our bi-weekly blogs. So, over the years I have become quite familiar with and adept at using various sources to locate images.

I found there are only two options available to obtain images of Nazi concentration camps during the war. The first are the photos taken by the Germans who worked in the camps. These are relatively scarce as the Nazi leaders did not want any archival evidence of the atrocities they were committing. The second option are the inmate drawings and paintings done either while a prisoner or from a survivor’s memory.

As the Allied troops liberated the camps, Gen. Eisenhower ordered his photographic units to take pictures. One of his motivations was to ensure people could never deny these horrific events had taken place. Many of us are familiar with the photos of emaciated prisoners, stacks of bodies, and ovens that were still warm. These images can be found in the German Archives (Bundesarchiv), various Holocaust memorial museum archives, and government archives such as the Imperial War Museum, Smithsonian Museum, and the US National Archives.

Today’s blog will focus on the illustrations made by camp prisoners and survivors. Click here to watch Paintings from Terazín Concentration Camp. Read More KZ Illustrators: Haunted Art