The Nazis were known to keep meticulous records on just about everything. Amazingly, this was also true about their desire to establish a photographic record of their crimes. We are familiar with Hitler’s favorite filmmaker and director, Leni Riefenstahl (1902−2003). She was not only a filmmaker but also a photographer and yes, a Nazi. Her movies included Olympia (1936 Berlin Olympics) and the propaganda film on the 1934 Nazi rally at Nuremberg. There was Heinrich Hoffmann (1885−1957), Hitler’s personal and official Nazi photographer. Hoffmann was part of Hitler’s inner circle and played a significant role in Goebbel’s propaganda program to elevate Hitler in the eyes of German citizens. Both of these individuals are quite well known due to their historical visibility. However, there was a group of photographers who are not quite as famous as the Nazi propagandists. These were the Auschwitz photographers and they were inmates selected by the camp’s commandant, SS-Hauptsturmführer Rudolf Höss.
Identity photographs of Auschwitz prisoners. Photographs by Wilhelm Brasse (c. 1940-45). Auschwitz-Birkenau State Museum.
The next two blogs (including this one) are a result of our recent river cruise from Budapest to Amsterdam. Along the way, we floated up and down three different rivers, one big canal, and went through sixty-eight locks (yes, you read this correctly—68 locks). One of the primary reasons we chose this trip was the day-visit to Nuremburg, Germany and the “World War II Excursion.” The alternate excursion was to the Nuremburg Toy Museum so you can guess it wasn’t a hard choice for us.
We visited two historical sites: Zeppelin Field where the massive pre-war night-time Nazi rallies were held and the interior of the courtroom where the highest surviving Nazi leaders were tried in 1945/46 on four counts, including crimes against humanity.
Nazi Party Rally Grounds
Nuremberg Congress Party Demonstration. Photo by anonymous (8 September 1938). German Federal Archives. Bundesarchive, Bild 183-H11954/CC-BY-SA 3.0. Wikimedia Commons.
Located southeast of the old town of Nuremberg, Zeppelinfeld (Zeppelin Field) is part of a larger complex known as the Nazi Party Rally Grounds. In August 1909, Count von Zeppelin landed one of his airships on this location thereby giving the field its name. Other buildings on the grounds included the Luitpoldarena (deployment area), the Luitpold Hall (“Old Congress Hall”—damaged during the war and later demolished), the Kongresshalle (“Congress Hall”—still standing but never fully completed), the Märzfeld (March field—demolished), the Deutsche Stadion (“German Stadium”—only its foundations were built), the Stadion der Hitlerjugend (“Stadium of the Hitler Youth”—today it’s the Frankenstadion), and the Große Straße (“Great Road”—completed but never used). Only the Zeppelin Field, the Luitpoldarena, and the Große Straße were completed by the Nazis. By 1939, the focus of the Nazi party was on obtaining the labor and materials needed to support the German war efforts and not on the completion of their rally grounds (the last rally, “The Party Rally of Peace” scheduled for 2 September 1939, was abruptly cancelled when Hitler attacked Poland on 1 September 1939). Read More Zeppelin Field
“Informative and entertaining, Stew Ross’ newest work evokes a difficult and frightening time in the history of the City of Light. The detailed descriptions of sites such as the Vél’ d’hiv’ or Gestapo headquarters reminds us of the choices people made during those years.”
Cynthia Bisson, PhD, Professor of History, Belmont University, French Resistant Expert
“Another outstanding, well-researched, and presented book by Stew Ross. It gives a detailed guided walking tour full of facts about the activities of the Gestapo during their occupation of Paris during World War II. I highly recommend this book to everyone who has an interest in what life was like during the Nazi occupation in France.”
Richard H.F. Neave, President Royal British Legion Paris branch, member Paris-based Libre Résistance SOE “F” Section and author of SOE: A Life in the Shadows
